Video on a production line, not a shoot day
Product films, full video catalogues covering an entire model range, reels and shorts. Script, voice-over, edit, subtitles, thumbnails and upload — all done by agents, signed off by a human. That’s why a catalogue of fifty videos ships in weeks rather than a year, and costs about what one shoot would.
EVERY VIDEO IS PUBLISHED AND PUBLIC — CHANNEL LINKS BELOW
Formats
- A video catalogue of your model range — one film per product: specifications read aloud, close-ups of the components, price, thumbnail. Dozens of videos in weeks.
- Product and promo films — 30–90 seconds for a launch, an ad or a product page: b-roll, kinetic subtitles, music.
- Reels and shorts — verticals built from scratch, or cut from your webinars and live sessions, with karaoke subtitles and a call to action at the end.
- Thumbnails and channel art — click-worthy thumbnails with a consistent presenter, one visual system and a line written for each specific video.
How a video is assembled
| Stage | How it’s done |
|---|---|
| Product data | pulled from the manufacturer’s own site: specs, prices, official photography |
| Script | written from the real specification, not from generic copy |
| Voice-over | synthesised speech, male and female, paced to the format |
| Footage | studio stills brought to life, b-roll, 360° turntables of the product |
| Subtitles | word-level, karaoke highlighting — most people watch on mute |
| Music | generated to length, ducked under the voice |
| Publishing | uploaded with thumbnail, description and a release schedule |
No shoot days.
No stock footage
92 videos
47 shorts
40 lessons
The channels are open: World of Bikes: Catalog — the Trek and Giant video catalogues. The full register of work is on sheet 13.
| What we’re comparing | A normal production house | Our pipeline |
|---|---|---|
| A film for every product | Filming each item — impossible on any real budget | A film for any item that has photography and a spec |
| Time for a 50-item catalogue | Months, if they take it on at all | Weeks, published to a schedule |
| A change after delivery | A reshoot, or an editor’s queue | Edit one line of script and rebuild the film |
| Consistency across a series | Drifts from one shoot day to the next | One template for the whole catalogue, one presenter throughout |
An honest boundary: if you need a live person acting on camera or documentary coverage of an event, that isn’t us. We’re strong where the subject is a product, a screen and a voice.
How many films does your catalogue need?
Send us a link to your product site — we’ll work out how many items can be covered, how long it takes and what we need from your side.
Scope my catalogue